Showing posts with label Ray Bradbury. Show all posts
Showing posts with label Ray Bradbury. Show all posts

20 October 2014

YA SF short stories, some brand new, some aged

YA SF | Other Worlds | Edited by Jon Scieszka

While most YA books are extremely satisfactory to not-so-young adults, is it the same for YA SF short stories? I'll take you story-by-story through this collection.

Percy Jackson and the Singer of Apollo by Rick Riordan is a short story in which Percy gets up to his usual shenanigans. Bamboozled by Apollo into recovering his missing Singer, Percy and Grover race to save New York from certain doom at the Singer's ... vocal cords. Like a short episode from any of the Percy Jackson books.

Bouncing the Grinning Goat by Shannon Hale is about a teen girl who joins the Grinning Goat inn as a bouncer under false pretences, but makes it all work in the end. One of the best stories in the book.

The Scout by DJ McHale is about a young Scout who's not too interested in following the scripted desert trek prescribed by the Scout Leader. He is attacked by an alien device. Is it the precursor to an invasion of the world? A completely unexpected ending. I liked this story quite a bit.

Rise of the RoboShoes TM by Tom Engleberger is an illustrated story. The illustrations are like someone who just learned to use MS Paint would do. The story is not much better. This may go down okay with the 10-12 year-old crowd, but maybe not. Not the best story in the book.

The Dirt on Our Shoes by Neal Shusterman is about a generation ship which is soon due to make planetfall. Some of the kids on the ship are better students, less questioning, more privileged. Some are barely surviving, and struggle to eat enough, let alone be able to afford luxuries like bathing water. Which of them is going to be the ones needed on the new colony? Slightly predictable for non-young-adult readers.

Plan B by Rebecca Stead had me scratching my head to get to understand what was going on, but the denouement was quite a surprise.

A Day in the Life by Shaun Tan is a graphic story aka comic. Reasonably well drawn, but not such a great plot. Again, not the best story in the book.

The Klack Bros Museum by Kenneth Oppel is a new take on ghost stories. Very nicely done atmosphere and tension. And a surprising end. Very satisfying.

The Warlords of Recess by Eric Nylund is a light story about cunning empire-builders who take over planets based on Rules which they follow rigorously, and to the detriment of the taken-over. They meet their match in a high school playground during recess. Fair, but slightly writing-down-to-kids type stuff. Say, of the style of the Spy Kids movies.

Frost and Fire by Ray Bradbury rounds off the book. It's about a planet where the days are super short, and the weather is super dangerous. Humans there have evolved to match the planet. People live only for a week. The hero and heroine of the piece try to save the people by attempting to reach the old lander, where things would presumably be better. A really old style Bradbury story. People would classify this as pure fantasy today, but back then when it was written, it was viable SF. A fairly good read, if not a fully satisfactory end. Why did they leave most of the people in the bad situation, I keep wondering.

All in all, a fair sampling of mostly good stories in SF and fantasy for young readers.

03 September 2012

When you want to die, either laughing or in terror


Humour/Thriller, Horror | Anthony Horowitz | Three of Diamonds, Horowitz Horror 1

Anthony Horowitz writes funny thrillers, thrilling funny books and horror stories with equal facility. He does this for teens. For adults, he writes for TV. Personally, I think he enjoys the books for teens more. Or maybe I'm just projecting my own sentiments on the writing, since, to the best of my knowledge, I've never seen any of the TV series he writes for.

To start with, Three of Diamonds. This brings together three of the Diamond Brothers Defective (sic) Agency stories. Nick Diamond, a teen boy, has the most stupid elder brother ever. Tim Diamond fancies himself a detective, with groan-worthily hilarious results. The whole thing from one end to the other is a gag-fest, with a veneer of detectiving as well. It's beautifully done, so that you have a mystery, a logical progress to the solution, and the most insane dialogues and action sequences to take you from one end to the other.

Tim phones up the expiry date on a yoghurt carton. He wants to take pictures of fish in the Chunnel. Escaping from villains, they reach a bridge:
“The river!” I said.
Tim reached into his pocket and took out his camera.
“No!” I yelled. “I don't want you to photograph it! I want us to cross it!”
You have to tell Tim, preferably in short, simple words.

The French Confection  has the Diamond bros win a trip to Paris. Tim's boasting on the train brings a desperate man to them, asking for help. He's murdered. The villains want to know what he told them, and mayhem proceeds from there, via the bridge on the river, a boat on the river, prison, a hotel, kidnapping:
“You have put us to a great deal of trouble,” he went on. “We've searched you and this morning we searched your room. Are you going to tell us where it is?”
“It's on the top floor of the hotel!” Tim exclaimed.
“Not the room!” Bastille swore and choked on his cigarette.
Sorry, I keep laughing over the paragraphs, wherever the book opens. Anyhow, Nick manages to solve the mystery, and Tim remains convinced he (Tim) is the greatest of detectives.

The Blurred Man (yes, Horowitz loves his puns, even though most of the kids who read his books will never have read the originals of the punny titles) has an American who hires the Diamonds to find out what happened to his good friend Lenny Smile, who runs a charity called Dream Time, to which the American novelist has given two million dollars in donations. Just before he was to have met Smile and found out what wonderful work the charity has done, Smile is run over by a roadroller. Why? (Ahem).

I am not going to give you a sample of how Tim interrogates the roadroller driver. I don't like to mistype so many words because I'm laughing too hard.

Anyway, they solve that one, too. Finally, there is I Know What you did Last Wednesday, in which Tim is invited by his millionaire classmate to visit him on an island, along with a bunch of other classmates. Except that they all start getting murdered one by one. You've seen this in a movie, right? And read the Agatha Christie book of the same premise, right? But you cannot beat Tim Diamond at it. Fortunately, Nick insists on going with him, and Tim comes out alive in the end. Not before you find he topped his school in embroidery. Yes, amazing that Tim could actually do something well, isn't it?

Okay, and then I picked up Horowitz Horror 1, which is not funny in the slightest. I checked. A bit of gallows humour once in a while. This is the guy who created an explosive bubble-gum for Alex Rider called Bubble-o seven? Yup. Horowitz writes terrific horror. Just in case you think horror for younger readers is less horrifying than that for adults, well, it's not. It's just as horrifying, if not more, considering that many of the protagonists are kids.

There's Bath Night, a story of a haunted bathtub. Killer Camera kills everything it's used to take a picture of. You don't want to know what the last picture in the story was of. Light Moves is about a kid who gets a haunted computer which can predict horse races, and the consequences of greed. The Night Bus is closer to the conventional kids' horror story, but creepy in its own way. Harriet's Horrible Dream is worthy of George RR Martin or Orson Scott Card, and so horrible I'm skipping onwards. Scared is about the city-kid bully in the country, and reminds me, strangely enough, of Ray Bradbury stories. In A Career in Computer Games, Horowitz tries to make the protagonist as unsympathetic as possible so that we don't mind what happens. Yet, in the end, I felt sorry for the wretch, for whom, let me say, I had no plans to have any sympathy whatsoever. The Man with the Yellow Face has supernatural horror in it, rather Victorian in ambience. The Monkey's Ear is the only story in which Horowitz's inner punster leaks out a bit, and it's a fair tribute to that original of horror stories, The Monkey's Paw.

TL;DR – read Horowitz's books, and don't worry about your chronological age. Horowitz is that worthy YA writer: he never condescends to his reader, and that's what makes his stories so enthralling.

07 June 2012

Page-curlingly hot writing - Goodbye Ray Bradbury


Ray Bradbury


As a teenager, I fancied writing science fiction. One day, I wrote a few pages, and then threw them across the room, because they were too Bradburyesque for my liking (I'd just been creeped out by a Cece story).


Then I crawled around and rounded them up because they were the best bits of writing I'd done in my life till then. A few years later, I read Dandelion Wine, still my favourite Rad Bradbury book, and then the super-creepy Mars stories...

If I ever reach peaks of Bradburyesque writing again, I guess my days will be made.

Goodbye, Rad Bradbury.